Every July 4th weekend, no matter what the year has yielded for me artistically--a 12-month writing drought, or a bumper crop of songs and professional ambition--I fall freshly in love with folk music at
New Bedford Summerfest.
What I love about New Bedford--besides its genuine working waterfront, colonial cobblestone, and knack for slating artitsts I adore to perform--is the breadth of music it encompasses each year. Where else can you find a traditional ballad singer, Quebecois accordian player, pair of contemporary singer-songwriters, and master blues guitarist, all on the same stage? If seeing a group like that improvise and interact with each other isn't enough to make your heart soar seventy stories high, I'll be damned.
Every time I go to New Bedford Summerfest, I come home reenergized and reaffirmed. It is, to me, almost sacred. In my seat at the festival, in the car on the way home, I think to myself: 'This is why I love folk music,' and I am reminded, once again, that this genre is my home.
This year's festival did not disappoint. Below are some photos I snapped at some of the performances:
This is a shot from the
fiddle workshop (AWESOME!!), featuring Angela Oudean and Annalisa Tornfelt of Bearfoot, Laura Cortese, Bruce Molsky, and Ruth Ungar Merenda (formerly of The Mammals):

Here's the crowd at the Acushnet Ave. Stage, gathered to hear Greg Anderson & Sara Milonovich, Benoit Bourgue (one of my favorites!), Guy Mendilow Band, and Women in Docs:

Here's Benoit (a little blury!), dancing with several members of the audience at a workshop with The Kennedys and Malinky, a band from Scotland:

Lastly, this is a photo of a
portion of the line-up from the Celtic Extravangaza, the mother-of-all-workshops, which ends the festival every year:

(My pictures don't really do the contemporary artists justice, but they were there also. Brooks Williams, Natalia Zukerman, Chris Smither, and one of my biggest heroes, Lucy Kaplansky, were among the performers this year. In the past, Summerfest has also hosted Susan Werner, The Nields, Vance Gilbert, James Keelaghan, and Greg Greenway, among other writers.)
In short...I can't say enough about New Bedford Summerfest. I love it. I love it, I love it, I love it. I tell you this not only because I have had such a good time the past four years--but because I was shocked to find out that the festival nearly wasn't held this year due to financial pressure. So, in part, I am writing this entry spread the word and try to save what has become, for me, a spiritual elixir and source of energy for my creative battery.
To passing on melodies that mean something, the continued longevity of working towns in New England and elsewhere, and the wave of excitement that accompanies the sight of a fiddler rosining her bow. This is, truly, what it is all about.
Long live New Bedford Summerfest.